1. Eva Hesse

2. Use of abandoned factory materials cloth-covered cord electrical wire masonite latex fiberglass plastics

3. Eva Hesse: Chain Polymers, Fischbach Gallery,New York NY, 1968

4. I would like the work to be non-work. This means that it would find its way beyond my preconceptions...It is the unknown quantity from which and where I want to go. As a thing, an object, it accedes to its non-logical self. It is something, it is nothing.

5. …to get to non-art, non-connotive, non-anthropomorphic, non-geometric, non-nothing; everything...It's not the new, it is what is yet not known, thought, seen, touched; but really what is not and that is.

6. Minimalism Fascination with the temporary/permanent strechiness/rigidity Of latex vs fiberglass Body forms, gender

7. The estate of Eva Hesse; Hauser & Wirth, Zurich and London

8. Schema,1967–68

9. Schema, 1967–68

10. Accretion, 1968, Jewish Museum

11. Repetition Nineteen III, 1968, Museum of Modern Art, New York

14. Hang Up, 1966, Acrylic paint on cloth over wood; steel tube182.9 x 213.4 x 198.1 cm

15. Untitled or Not Yet, 1966,Net bags, clear polyethylene sheeting, paper, metal weights, and string180.3 x 39.4 x 21 cm

16. Ingeminate 1965

17. tests

18. No title, 1969, Papier-caché, 26.5 x 28.5 x 6.6 cm

19. S-105. Fibreglass, polyester resin, plastic, 1968